“Triptych Redux” adds sound and light to fluid ethereal dances

By Lucy Komisar

Dancers in “Unfolding,” photo Chris Herzfeld.

Australian choreographer Lewis Major at the Edinburgh Fringe presents an elegant, fluid, ethereal series of dances. In slow movements, bodies in black twist, bend, dip and turn to sounds that sometimes sound like a xylophone or the high notes of a piano, sometimes contemporary, sometimes classical. The three women in “Prologue” evoked the flight of butterflies.

In a second piece, “Unfolding,” light bathed four dancers. (Major does the lighting and visual design for most pieces.)

Dancers glitter in shadows, photo Adrian Bell.

­As they did Major’s slow bends, twists, shifting turns and lifts, light hit parts of them creating a visual geometry of their bodies. Bodies were entwined. They glittered. The music was rock or electronic.

­­­For the last section the piano was classical. In one part, a muscular dancer twisted like a fawn in the dim light.

It’s a smart stylized production, in some ways as much theater as dance.

“Triptych Redux.” Choreographed by Lewis Major. Main House at ZOO Southside, Edinburgh. Runtime 1hr. Aug 4 to Aug 24, 2025.

Click here to donate to The Komisar Scoop

Leave a Reply

Your email address will not be published.

This site uses Akismet to reduce spam. Learn how your comment data is processed.