April 10, 2022 – Today’s Dealbook article in the NYTimes “ ‘There Is No Reasonable Way for This to End’: Bill Browder on How to Stop the War” includes numerous fake facts that fact checking organizations devoted to exposing such media falsehoods should address. This article is going a number of them in the hope that some have the courage to examine this evidence at a time of extreme hostility to Russia.
April 8, 2022 – Read or listen, how William Browder’s Magnitsky hoax, supported by the Deep State, was the first pillar of Russiagate. That was 2012. And it’s brought us to today’s U.S./Ukraine (proxy) war against Russia.
St. Patrick’s Day 2022 – It was a bit chill in New York in spite of March 17th being a few days before the start of spring, but the marchers on Fifth Avenue didn’t seem to care. Even if many were bare legged with kilts. I loved the bagpipers, especially the ones in red jackets.
D.H. Lawrence’s 1913 “The Daughter-in-Law” is a classical misogynist play. The tired message is that to have a happy marriage, a woman must be subservient to her husband. This holds even if he’s below her in intelligence and ambition and disinclined to better himself by work. She should just move herself down a peg. And mothers are controlling harridans who spoil their sons’ lives if they can.
Feb 21, 2022 – John Helmer, a journalist in Moscow since 1989, has published a brilliant comic graphic-text primer about Russia, its outside enemies and corrupt insiders. In just over 100 pages of comment and vivid cartoons you will learn the stories of the major deep state inventions of most of the last decade or so: faked stories about Navalny, the Skripals, the downing of the MH17 in Ukraine, media propagandists, esp Russophobes Anne Applebaum and Canadian deputy prime minister Chrystia Freeland. Also Russian inside-dealing including Putin’s gifts to some bigtime oligarchs. No surprise that Helmer got a death threat after that one.
This version of “Company,” 15 years after the last spare, stylized, sophisticated production, is a a mélange of pop and TV, with obeisance to current diversity rules. The main character is a girl and one couple is homosexual. And sophistication is traded for garish. But Stephen Sondheim’s music and lyrics are still brilliant.
LSD was supposed to make Aldous Huxley, Cary Grant and Clare Booth Luce burst into gorgeous new worlds, but as James Lapine imagines in this inventive, intriguing musical, it makes them more introspective, calling up pasts they cannot escape. As writer-director Lapine mixes that with their politics, I came away admiring the characters Huxley (Harry Hadden-Paton) and Grant (Tony Yazbeck), but had mixed feelings about Luce (Carmen Cusack).
“The Lehman Trilogy” by Stefano Massini appears to be a love song to American capitalism, though if you look carefully, you will see some tarnishings and even betrayals. It starts with Henry Lehman (Simon Russell Beale), a German-Jewish immigrant, arriving in Montgomery, Alabama in 1844, nervous in his best black suit and coat.
I thought this was going to be a tacky, yellow press redux of the paparazzi chasing Diana. I was wrong. It is a terrific feminist, anti-royalist story (book by Joe DiPietro) of what happens when a woman, facing a powerful institution (the “Royal Family”), has the gumption to stand up and fight for her dignity.
“Cullud Wattah” by Erika Dickerson-Despenza is billed as about “three generations of black women living through the water crisis in Flint, Michigan,” where community water was poisoned because the Republican governor, Rick Snyder, wanted to save money and in 2014 switched from Port Huron water to contaminated Flint River water. He was backed up by key state and city environmental “regulators.” In quotes, because they didn’t seem to think contaminated water came under their remit. Or lacked the courage to challenge the governor.
In this hokey, schmalzy soap opera about a black maid working for a Jewish family in 1963 Louisiana, the cast is better than the text. The script is by Tony Kushner – America’s most over-rated unimpressive playwright — who based it on childhood memories. It was first presented in 2003 and it had the same flaws though less glitz, which must have been added to cover up the flaws.
“Fairycakes,” written and directed by Douglas Carter Beane is a clever, often funny, revisionist take on fairy tales Including Cinderella, Pinocchio, and Peter Pan for kids with a leavening of Midsummer Night’s Dream for grown-ups. All in rhyming couplets. And with a few contemporary takes, including the manipulation of fear and guilt on which families are built.
New York’s Thanksgiving Day Parade was started in 1924 by immigrant workers at Macy’s Department Store. They had escaped repressive conditions in Russia and elsewhere and had a workers’ sense of solidarity and appreciation. They wanted to celebrate this American holiday with a European-style festival of the sort their parents had enjoyed. What would they think of the current parades that replace culture with advertising to “watch this” and “buy this”!
“Morning’s at Seven” written in 1939 by Paul Osborn, starts out as a small town family story of the innocent 1920s. It’s often comic, but it’s also a serious look at the difficulties and hidden sorrows that afflict people who seem quite comfortable, discontents that begin to dominate as they get older.
There are two good parts to “The Visitor.” The first is when the sallow-faced economics professor (David Hyde Pierce) attempts to educate his students about the worst neoliberal economists of our age (Samuelson, others) though he doesn’t call them that. The second is the professor’s very passionate – no – raging, excoriation of the American political system that condemns many asylum seekers to certain death in the dictatorships they fled, as has in fact been proved. But putting on a good play requires more than being “woke.”
On election eve I went to a political debate between the Democratic and Republican candidates for mayor of New York. I had a good time. No, it wasn’t between the two lackluster candidates for mayor 2021. It was a much more exciting, well, much more fun event between the candidates and campaign boosters of Jimmy Walker (Martin Dockery), running for re-election, and Fiorella LaGuardia (Christopher Romero Wilson), seeking to dethrone the crook.
I know Brecht through his iconic plays, “Mother Courage,” “The Threepenny Opera” and more. But I hadn’t heard his poetry, which was often more directly political than the allegorical stage works. In “Brecht on Brecht,” the TBTB company provides those words in an entertaining cabaret style pastiche of talk and song that takes one through his political life and artistic career.
GB Shaw is the doyen of political plays, and when you see them, you have to put yourself back in time to imagine the outrage of the elites. How they railed at his prickling their class oppression of women, by men and the rich, their snobbery and always their hypocrisy. One of the favorites is “Mrs. Warren’s Profession,” a 1902 feminist satire of the times given a fine production by the Gingold Theatrical Group. Except it’s maybe not so outdated!
It’s back, along with the iconic white spider that hangs from the Jefferson Market (Courthouse) Library at Sixth Avenue and 10th Street.
And the big cutout figures, held so high that even people behind the crowded barriers can see them.
If for nothing else, people should go to this play to see a master actor Ruben Santiago-Hudson create a neighborhood full of characters, giving life and color to each one, beginning with “Nanny,” the den-mother of the crew who ran two boarding houses, one for the violent and the crazy. He is the writer, director and performer of the piece. His change of voice, body language, facial expression for each character is magical.
Oct 16, 2021 – “United States vs. Reality Winner” directed by Sonia Kennebeck is a fake documentary that opened the Double Exposure Film Festival October 13th. It is a deceptive and dishonest film that carefully avoids telling the true story of this phony “heroine” who leaked an unverified document that said the Kremlin hacked U.S. voting machines and was sentenced to prison under the Espionage Act.
Sept 27, 2021 – Former hedge fund CEO Marc Cohodes discusses in this one-hour interview Overstock’s charges that Cohodes and associates faked reports to drive down the price of Overstock they were shorting, Overstock’s case against Goldman Sachs that it (and Merrill Lynch) used naked shorting to drive down its price, Cohodes’ testimony in that case about Goldman creating shares out of options trades, and why he thinks the Citadel empire should be broken up.
Antoinette Chinonye Nwandu’s “Pass Over” is a surreal satiric funny biting clever horrific vision of what life is like for two young black men living in a ghetto whose borders are so fixed they can only dream of getting out, of “passing over,” only one of the meanings of the play’s title.
Ngozi Anyanwu’s play starts out appearing to be a feminist take about a relationship gone wrong. And the first person we see is curiously called “You 1” which means there will be a “You 2.” Perhaps that means the viewers can identify with either or each.
Directed by Patricia McGregor, the play excels in its acting, especially by the brilliant Daniel J. Watts, less in the text which is sometimes gripping, but then unsatisfying for the questions it leaves unanswered.
Aug 18, 2021- Democratic Party insider Robert Shapiro, an economist who was a top advisor to the campaign of Bill Clinton, served as his undersecretary of commerce, and then advised the Democratic nominees after him, breaks with establishment economics to target the corruption of naked short selling.
